Difference between revisions of "1979-04-12"

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|  colspan="2" align="center" | an ad for this concert in NME - April 14, [[1979]] & Melody Maker - April 14, [[1979]]
 
|  colspan="2" align="center" | an ad for this concert in NME - April 14, [[1979]] & Melody Maker - April 14, [[1979]]
 
|- style="background-color: #f9f9f9;"
 
|- style="background-color: #f9f9f9;"
|  colspan="2" align="center" | [[Image:1979_04_21_Melody_Maker_Nashville_Room_review.jpg|300px]]
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|  colspan="2" align="center" | [[Image:1979_04_21_Melody_Maker_Nashville_Room_review.png|300px]]
 
|- style="background-color: #f9f9f9;"
 
|- style="background-color: #f9f9f9;"
 
|  colspan="2" align="center" | a review of this concert Melody Maker - April 21, [[1979]]
 
|  colspan="2" align="center" | a review of this concert Melody Maker - April 21, [[1979]]

Latest revision as of 01:57, 28 May 2023


<== previous entry

1979-04-12
1979 04 12 ad.jpg 1979 04 12 melodymakerad.jpg
an ad for this concert in NME - April 14, 1979 & Melody Maker - April 14, 1979
1979 04 21 Melody Maker Nashville Room review.png
a review of this concert Melody Maker - April 21, 1979
Performance summary
Artist performing: The Police
Tour: 1978-1979 Outlandos d'Amour Tour
Venue: The Nashville Room
Location: London, England, UK
Support acts: Fàshiön
Ticket prices: UK pounds: 1,50


On 1979-04-12, The Police performed at The Nashville Room in London, England, UK.

Setlist

Roxanne, Be My Girl, Sally and So Lonely were played

Recording information

This section needs more information. Please note if an official or unofficial recording, or recording(s), is known to exist of this performance.

Trivia

Before the concert The Police were interviewed by Richard Skinner for the BBC radio show "Rock On". This gig was reviewed in Melody Maker - April 21, 1979

See also

This section needs more information.

External links

This section needs more information.

References

sources: Stewart Copeland's diary, UK ads; review in Melody Maker - April 21, 1979; BBC "Rock On" radio report; Stairway To Nowhere p. 61


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