Difference between revisions of "Unique Recording Studios"
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Scoring started a couple of weeks before the Pilot episode was aired (on September 18, [[1985]]). | Scoring started a couple of weeks before the Pilot episode was aired (on September 18, [[1985]]). | ||
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Michael Finlayson: "This is me working on a Fairlight in Unique’s programming room. Or goofing off, I can’t remember….. Anyway, I was thinking it was Stewart’s Fairlight, but I am wearing a sweatshirt from Sting’s Blue Turtle Tour." | Michael Finlayson: "This is me working on a Fairlight in Unique’s programming room. Or goofing off, I can’t remember….. Anyway, I was thinking it was Stewart’s Fairlight, but I am wearing a sweatshirt from Sting’s Blue Turtle Tour." | ||
Revision as of 13:49, 6 September 2012
Unique Recording Studios | |
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Location: | New York, NY, USA |
Years in operation: | 1978 - 2004 |
In September 1985 Stewart Copeland worked on The Equalizer score in New York before moving to The Hit Factory.
History
This section needs more information.
Recording history
The following Police and related albums or songs were recorded at this studio:
Album (or song) title | Artist or band | Producer | Release year |
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The Equalizer | Stewart Copeland | Stewart Copeland | YYYY |
See also
In September 1985 - roughly from September 4 to about September 26 - Stewart Copeland and Jeff Seitz worked on the score of The Equalizer at Unique Recording Studios, before continuing their work at The Hit Factory.
Michael Finlayson was the engineer with Jeff Lord assisting. The photo with all four of them was taken in Studio B, but most of the work was done in Studio C (aka "Midi City").
Scoring started a couple of weeks before the Pilot episode was aired (on September 18, 1985).
Michael Finlayson: "This is me working on a Fairlight in Unique’s programming room. Or goofing off, I can’t remember….. Anyway, I was thinking it was Stewart’s Fairlight, but I am wearing a sweatshirt from Sting’s Blue Turtle Tour."
External links
References
source: Michael Finlayson